The artwork itself functions as a clock: its presentation is synchronized with the local time, resulting in the time shown in a scene being the actual time. 1955) is known for his distinctive fusion of image and sound. At the time of its release, technology was just reaching its peak, which is why Telephonesbecame a breakthrough piece that is often celebrated today for its pioneering role in the history of video art. Christian Marclay (b. Citing the influence of John Cage, Yoko Ono and Vito Acconci, Marclay has long explored the rituals around making and collecting music. 1955), who currently lives and works in London, and will include a selection focusing on his sonic compositions, from graphic scores to video installations. Christian Marclay's "The Clock" ran at Paula Cooper through February 19, 2011, "Modern Women: Single Channel" at P.S. He was filmed performing a duo with Erikm for the documentary Scratch. Christian Marclay was born in California but raised in Switzerland. What is unique about this artist is his extraordinary ability to mix different media and various culture references into the rich fusion … Christian Ernest Marclay plays with perception and human experience of sensory data. Celebrated as a pioneer of turntablism, Marclay transforms sound and music into visual and physical forms through performance, collage, sculpture, large-scale installations, photography, and video. [2][4] As a student he was notably interested in Joseph Beuys and the Fluxus movement of the 1960s and 1970s. In the 1980s and early '90s, he invented album covers. Part working timepiece (it runs in sync with the local time zone), part aural and visual montage (the work includes snatches of dialogue about time and sounds and images of every kind of clock imaginable), the film is a meditation both on time and the depiction of it. Marclay's work explores connections between sound, noise, photography, video, and film. Fusing sound with text and found objects, Christian Marclay’s work draws upon the characteristics of a variety of media to visually capture the nature of sound itself. Following this turn, Marclay has in more recent years produced visual art, although usually of representations of sound, or the various technologies of representing sound. It is a looped 24-hour video supercut (montage of scenes from film and television) that feature clocks or timepieces. His scene didn't make the final cut, but is included among the DVD extras. For more than thirty years, Marclay has explored the relationship between the visual and the audible through a variety of media, including sculpture, video, performance, collage, and music. [2], Christian Marclay was born on January 11, 1955 in San Rafael, Marin County, California, to a Swiss father and an American mother and raised in Geneva, Switzerland. Christian Marclay’s Telephones, created in 1995, was a skilfully edited arrangement of black-and-white, as well as color film clips that highlighted different subjects utilizing an array of telephones, all designed before the smartphone era that we live in today. Seiler+Mosseri-Marlio Galerie: Upcoming Exhibits. Christian Marclay, in full Christian Ernest Marclay, (born January 11, 1955, San Rafael, California, U.S.), Swiss American visual artist and composer whose multidisciplinary work encompassed performance, sculpture, and video. Christian Marclay is a London and New York based visual artist and composer whose innovative work explores the juxtaposition between sound recording, photography, video and film. Fraenkel Gallery is pleased to present new work by Christian Marclay, incorporating collage, video animation, and photography. 1 through May 2, Leslie Thornton at Winkleman through February 5, and Stephen Vitiello at Museum 52 through February 12, with his High Line installation continuing through June. "Christian Marclay | Biography, Albums, Streaming Links", "To the Last Syllable of Recorded Time: Christian Marclay,", "Christian Marclay | Made To Be Destroyed (2016)", "Live Improvisations - Christian Marclay | Songs, Reviews, Credits", Blake Gopnik, "The 10 Most Important Artists of Today", Rundown of the Winners of the Golden and Silver Lions at the 54th Venice Biennale", "Christian Marclay: The Clock – Exhibition at Tate Modern", "Christian Marclay: Sound Stories | LACMA". [5] Long based in Manhattan, Marclay has in recent years divided his time between New York and London. And an interest in onomatopoeia dating back to 1989 has culminated in his monumental Manga Scroll (2010), a 60-foot scroll of cartoon interjections that doubles as a musical score. Further reading Alan Licht, ‘CBGB as Imaginary Landscape: The Music of Christian Marclay’, in Christian Marclay, exhibition catalogue, Hammer Museum, Los Angeles 2003, pp.88–103. From the outset of his career, Marclay has engaged with experimental music, investigating the relationship between sound and vision, [8] These duos with Henry might be the first time a musician used records and turntables as interactive, improvising musical instruments.[9]. “I’ve always been interested in how sound is visualized,” he explains. A related review looks at Marclay's sound art. 1 Museum, New York City, USA. [17], At the 2011 Venice Biennale, representing the United States of America, Marclay was recognized as the best artist in the official exhibition, winning the Golden Lion for The Clock. Schooled in Geneva, Boston, and New York, Marclay has shown a lot of interest in the art of sound, becoming an intrepid avant-gardist in the non-conventional use of instruments and sound-mixing tools; even going so far as to perform with American rock band Sonic Youth. Unable to recruit a drummer for his 1979 performances with guitarist Kurt Henry, Marclay used the regular rhythms of a skipping LP record as a percussion instrument. Some of Marclay's musical pieces are carefully recorded and edited plunderphonics-style; he is also active in free improvisation. [8] Marclay has occasionally cut and re-joined different LP records; when played on a turntable, these re-assembled records will combine snippets of different music in quick succession along with clicks or pops from the seams[11] – typical of noise music – and when the original LPs were made of differently-colored vinyl, the reassembled LPs can themselves be considered as works of art. "[1] His own use of turntables and records, beginning in the late 1970s, was developed independently of but roughly parallel to hip hop's use of the instrument. When Christian Marclay moved from New York to London, in the summer of 2007, he left behind some of his most valued possessions: hundreds of … “I’ve always been interested in how sound is visualized,” he explains. September 18, 2020 The artist and composer Christian Marclay works with the interplay of sound and images through a variety of media, ranging from performance to printmaking, video, and collage. In Sound Holes (2007), he photographed the many patterns of speaker holes on intercoms. White Cube Mason’s Yard is pleased to present an exhibition by Christian Marclay. Marclay sometimes manipulates or damages records to produce continuous loops and skips,[10] and has said he generally prefers inexpensive used records purchased at thrift shops, as opposed to other turntablists who often seek out specific recordings. Christian Marclay: Compositions April 12th, 2019 to September 24th, 2019 This exhibition will be the first for over a decade in Spain devoted to the Swiss-American artist Christian Marclay (b. His critically acclaimed film The Clock (2010) compounded hundreds of film scenes where a clock or a watch displays a certain time. Early work includes a series of ‘Recycled Records’ (1980-86), fragmented and reassembled vinyl records that became hybrid objects that could be … Unable to recruit a drummer for his 1979 performances with guitarist Kurt Henry, Marclay used the regular rhythms of a skipping LP record as a percussion instrument. [18] Accepting the Golden Lion, Marclay invoked Andy Warhol, thanking the jury "for giving The Clock its fifteen minutes".[19]. More recently, he has explored his interest in a related abstract concept—time—by compiling clips from an enormous range of films into a 24-hour, single-channel video titled The Clock (2010). [13], In 2010 he produced The Clock, a 24-hour compilation of time-related scenes from movies that debuted at London's White Cube gallery in 2010. In his work, music can be both seen and heard. In 2015 the White Cube presented a major solo exhibition including a range of new work and a lively programme of weekly performances played by the London Sinfonietta and guests including Thurston Moore and Mica Levi. The Sound of Silence (1988) is a black-and-white photograph of the Simon & Garfunkel single of the same title. 1955), presenting a selection of works focusing on his sound compositions, from graphic scores to video installations. A performance by Christian Marclay, from the October 29, 1989 episode of the short-lived music television show Night Music. Schooled in Geneva, Boston, and New York, Marclay has shown a lot of interest in the art of sound, becoming an intrepid avant-gardist in the non-conventional use of instruments and sound-mixing tools; even going so far as to perform with American rock band Sonic Youth. In Sound Stories, American artist and composer Christian Marclay (born 1955) fuses art and technology, using Snapchat videos as raw material.Featuring texts by Max Maxwell, this book documents the collaboration between the artist and Snapchat in an innovative project mixing the sounds and images … Site broken 25 June 2011. Much of his art imaginatively explored the physical and cultural intersections between sound and image, often through the deconstruction and recontextualization of … Marclay began his exploration into sound and art through performances with turntables in 1979, while he was still a student. As in his music and video works, which splice together found recordings and film footage, the comic book segments are culled and re- contextualized in vibrant, dynamic ways. Directions: Christian Marclay – 1990 – Hirshhorn Museum and Sculpture Garden, Christian Marclay – 1991 – Interim Art, London, England, Christian Marclay – 1993 – Margo Leavin Gallery, Los Angeles, Christian Marclay – 1994 – Daadgalerie, Berlin, Germany; and Fri-Art Centre d'art contemporain Kunsthalle, Fribourg, Switzerland, Amplification – 1995 – Chiesa San Staë, Venice Biennale, Venice, Italy, Accompagnement Musical – 1995 – Musée d'Art et d'Histoire, Geneva, Switzerland, Arranged and Conducted – 1997 – Kunsthaus, Zurich, Switzerland, Christian Marclay – 1999 – Paula Cooper Gallery, New York City, USA, Snap! Audio of "Phonodrum" by Christian Marclay from, Winnipeg Art Gallery: Christian Marclay's The Clock. Stills of Christian Marclay – Telephones, 1995, video installati… In 1998 he claimed never to have paid more than US$1 for a record. In 2003 it became the first work by Marclay to be acquired by Tate. Christian Marclay was born in California but raised in Switzerland. Marclay made the magnificent unique photogram "Allover (Dixie Chicks, Nat King Cole and Others)" (2009) by exposing photo-sensitized paper to light after he … Represented by internationally reputable galleries. Limited-Edition Prints by Leading Artists, Allover (Dixie Chicks, Nat King Cole, and Others), 2009, Untitled, Cassette Tape Duplication (No. Christian Marclay is an American-Swiss artist known for his sculptures, videos, and music, especially his sound collages. Shuffle (2007) and Ephemera (2009) are also musical scores. 1955) is a New York-based visual artist and composer whose innovative work explores the juxtaposition between sound recording, photography, video and film. Other guests that night included Todd Rundgren, Taj Mahal, Pat Metheny, and Nanci Griffith. [12] In Five Cubes (1989), he melted vinyl records into cubes. Audio of "Tabula Rasa" (2005) for three turntables and cutting lathe by Christian Marclay and Flo Kaufmann. His mother was American so he held a double nationality. He studied at the Ecole Supérieure d’Art Visuel from 1977–1980 in Geneva, Switzerland. The artist is also accredited with inventing “turntabilism”, where one can manipulate sounds using two or more turntables. He holds both American and Swiss nationality. Find the latest shows, biography, and artworks for sale by Christian Marclay. The Clock is an art installation by video artist Christian Marclay. Jennifer González, Kim Gordon and Matthew Higgs, Christian Marclay, London 2005, pp.82–91. These duos with Henry might be the first time a musician used records and turntables as int… Christian Marclay transforms sounds and music into visible, physical form through a prolific range of performances, collages, sculptures, installations, photographs, and videos. – 2008 – Galerie Art and Essai, Rennes, France, You Said He Said She Said – 2008 – Seiler+Mosseri-Marlio Galerie, Zurich, Switzerland, Replay – 2009 – DHC/Art, Montréal, Canada, Broken English – 2009 – Seiler+Mosseri-Marlio Galerie, Zurich, Switzerland (with Justin Bennett, Shana Lutker, Euan Macdonald, Navid Nuur and Mungo Thomson), Vinyl – 2009 – Lydgalleriet, Bergen, Norway (with Flo Kaufmann, Janek Schaefer and Otomo Yoshihide), The Record: Contemporary Art and Vinyl – 2010 –, This page was last edited on 22 January 2021, at 08:11. Sound collages has in recent years divided his time between new York and.. Film and television ) that feature clocks or timepieces at the Ecole Supérieure ’. 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